History of the Bolinas Museum & Museum Buildings
The Bolinas Museum began as the Bolinas Memorial Museum in 1983 and initially was was dedicated to preserving the history of the town. Though housed in a small quonset hut, the founders presented quality exhibitions of history and historic art. A thrift store helped to support the museum. Several years later, the museum added art to its mission, focusing on contemporary Coastal Marin artists.
In 1989, the name was changed to the Bolinas Museum when it was moved to a large space in a newly restored historic building in downtown where the gallery was designed to accommodate both art and history exhibitions. In 1998 the historic compound of buildings came up for sale and a well run capital campaign with generous support of many people allowed the Museum to buy the buildings and expand into five galleries, it’s own suite of offices, and rental space for other local businesses.
From the beginning, the Bolinas Museum has been nurtured by generous supporters and the volunteers who contribute their time, money and diverse skills to make this Museum such a success. Families and individuals donate historic material to be preserved for posterity and invited artists have contributed exceptional works. Donations, whether as major donors, single memberships or a dollar in the donation box, are important to us. It is because of volunteers, dedicated staff and public support that the museum is able to continue to offer excellent exhibitions and programs and to continue to have free admission to the galleries and our public events.
THE STORY OF THE BOLINAS MUSEUM & THE KEY PEOPLE WHO HELPED TO MAKE THE MUSEUM WHAT IT IS TODAY
Inspired by the elders of Bolinas and the need to preserve the history of the town, in 1983 David Van Dusen (left) establlished the Bolinas Memorial Museum. Townspeople contributed the historically significant objects, photographs, documents and memorabilia that are the core of today’s history collection. Craig Ayliffe (right) as curator, documented and organized the collection. The founding Board of Directors included David Van Dusen, Karen Gray, Craig Ayliffe, George (Sandy) Magid, Steve Henneman, Benjamin G. Dann III, and Steven K. Lander. The Museum opened in a space just 12 x 24 feet. Van Duesen bought a former Quonset hut and with the aid of skilled volunteers remodeled it and added a historic looking facade.
Though the newly incorporated museum was housed in a tiny building, Craig and volunteers mounted sophisticated exhibitions of both historical objects and 19th century art. Craig did research, organized events and gave educational talks.
The first Board of Directors was joined by Joan Bertsch who became treasurer and served at the heart of the Museum until 2005. Margi De Greeve, a leader in developing the museum, contributed many treasures from her family whose Bolinas history stretches back to the 1860s. She and Peggy Duncan established a popular thrift store to that helped support the museum until 1995.
The same year the Bolinas Memorial Museum was founded there was another group dedicated to Bolinas history. Ray Moritz, Dotty Le Mieux and Barbara Kaftez founded the Bolinas Historical Society. They assembled an invaluable collection of images, oral histories and materials. With that research Dotty produced the Bolinas Historical Quarterly. The Historical Society eventually donated its collection to the Bolinas Memorial Museum and its members continued to contribute to the Museum's history archives.
When David Van Dusen and Craig Ayliffe each moved away from Bolinas for other pursuits, they left behind a thriving museum, a gift to the community. Board member Margi De Greeve and President of the Board Sandy Madgid guided the museum into its next phase.
In 1987, as President of the Board and Director, Bolinas sculptor Joyce Clements brought contemporary art to the Museum. Recognizing the wealth of accomplished local artists, she created the Living Artist Project and invited Linda Samuels to be its co-chair and then Curator. With the help of many volunteers the Museum presented many exhibitions of both history and local artists.
In 1988, Ewan Macdonald had just restored the complex of historic buildings that now house the Museum. (see below) Ewan offered the little museum a new gallery space in the main building. Making the move was a huge leap in expense and commitment for an organization run entirely by volunteers. Joyce Clements, Linda Samuels and Joan Bertsch led the fund raising and establishment of an organizational foundation to make the move and expand the professionalism of the Museum. In October of 1989 the Bolinas Museum's grand opening at 48 Wharf Road revealed a handsome one-room gallery divided by a floating wall with space for both history and art exhibitions. The Museum’s Thrift and Gift store moved into the adjacent building. To organize the history collection, Sara Pusey, Superintendent of Bolinas- Stinson School, stepped in as Registrar and also served as President of the Board. After years of volunteer service Linda Samuels became the first paid staff person of the Museum as the Director / Curator. Samuels created exhibitions that ranged from fine art to environmental and historic issues and established the Museum most important annual fundraising events:the Bolinas Museum Annual Art Auction and the annual holiday Mini Show. In 1994 Linda left the museum to pursue other career interests. Joyce Clements also left the Board to focus on her work as a professional artist. Together they had had created a solid platform for the organization and expanded the vision of what was possible.
After an interim, Dolores Richards became the Executive Director and proved to be a visionary, developing the Museum as we know it today. In 1997, Ewan Macdonald offered to sell the building complex and Dolores led a capital campaign that had legendary success. Many people gave significant donations to ensure that this goal came to fruition and the Museum now has its own home and footprint in downtown Bolinas. Before Dolores retired, she oversaw the final payment on the mortgage. Dolores expanded the museum from one room into five gallery spaces--several supported by individual donations-- galleries dedicated to the main exhibition, photography, Coastal Marin Artists, Permanent Collection and the history room where history buff Phil Frank created exhibits for over a decade. Dolores also developed the Museum's Permanent Collection of locally relevant fine art and photography. Several Board members were invaluable in this period of development: Sue Wright, Timothy Maxon, Jim and Beth Wintersteen, Ralph Camiccia and Sally Robertson. In June of 2006, after 12 years, Dolores retired as Executive Director. She had guided the evolution of a small-town museum supported by a thrift store, to its current polished standard of professionalism and reputation for excellence.
In 2006, Lucy Van Sands Seeburg (Vandy) became Executive Director.
A long time Bolinas resident, she brought a background in the arts, and dedication to continued excellence and development of the organization. One of Vandy's first actions was to renovate the Museum's history room with funds donated in the memory of Amy Jordan, who spent most of her ninety-plus summers in Bolinas. The crowded opening celebration for the new light-filled history exhibition space included many descendents of early Bolinas families who came from far and wide. Vandy enlivened the use of the courtyard with many yearly series of courtyard concerts, art talks and dynamic events such as the colorful Dia De Las Madres Mother's Day party. She also created an outreach program to Hispanic families. The last Annual Art Auction that she organized in 2012, brought in the highest profit of its 20 year history. Vandy retired at the end of September, 2012.
Artist Dieter Tremp served as Curator of Exhibitions from 2006-2012.
In October of 2012, Jennifer Gately stepped in as the Executive Director. With experience in working with large arts organizations, she brings fresh energy and new ideas to the Museum.
Assistant Director and History Curator Elia Haworth, who joined the staff in 1999, serves many facets of the organization including creating history room exhibits, curating some exhibitions and managing the museum on weekends. Christine Borg is the Office Manager and Adele Barbato is the Registrar. The small staff, Board members and volunteers and supporters work together to bring diverse high quality exhibitions and events to the community and visitors. Volunteers serve as Board Members, docents, event volunteers, researchers, historians, guest curators, organizers, project workers, exhibitors, and much more. All contribute to this thriving museum and membership continues to grow.
THE BOLINAS MUSEUM'S HISTORIC BUILDINGS
The Museum’s complex of historic buildings is the stage for our visitors' experience. They house our five galleries, a suite of offices, art and history archives storage, and spaces for other community businesses. These buildings have their own interesting stories dating back to the late 1800s when Bolinas was a little town growing around it's embarcadero with an economy that was, until 1933, dependent on busy schooner traffic between Bolinas and the markets of San Francisco. These structures have served the community in a great variety of ways including as saloon and boarding house, meat market with post office, antiques store, county library, restaurant, water department office, surf board fabrication shop, woodshop, beauty salon, galleries, art studios, offices, stores, apartments and more.
Over the decades Bolinas residents have picked up and moved many of the town's buildings including the Museum’s structures. The photograph above shows the original setting of our buildings. Left, the big saloon with its distinctive doorway is facing the street corner. After the 1906 earthquake, the little market building (right) was moved behind the saloon and today it serves as our Photography and Coastal Marin Artists galleries. In 1935, owner Henry Hoirup had the big saloon building picked up and rotated ninety degrees to join it to a hotel that had been built next door. Today, visitors enter the main gallery through that corner doorway, which is now in the courtyard.
By 1988, this complex of buildings had suffered from years of neglect. Empty and rotted, it was put up for sale and seemed fated to be torn down. But, Ewan Macdonald understood the importance of preserving historic structures. Bolinas downtown architecture, with a handful of more modern exceptions, dates from between 1851 to early 1900s - and a few from the 1920s. Ewan purchased the complex and oversaw its challenging and massive restoration. He also created the lovely courtyard where there had been a rubbish filled swamp. The result is the handsome buildings that anchor the corner of downtown Bolinas.
It was a significant gift to the community.
As the restoration neared completion, Ewan offered little Bolinas Museum the large room in the main building. Linda Samuels helped design a floating display wall that provided separate space for art and history exhibitions in the same room. The Museum opened there in 1989, supported by it’s thrift shop across the courtyard.
In 1996 Executive Director Dolores Richards led a successful capital campaign for the Museum to purchase the entire complex and expand its exhibition and public spaces. Many people gave significant donations to ensure the success of this goal:
-The Floyd Russell Family History Room for Bolinas history was established with the support of Susie Russell Buell, who spent much of her youth in Bolinas and named the room for her family parental family.
- The Helene Sturdivant Mayne Photography Gallery was the gift of Lesly Mayne with his daughter Chrissie Mayne Crawford and son, Stephen Mayne. Their family has owned their Bolinas house since 1901. Helene was a noted pictorialist photographer.
- The Margaret Greene Permanent Collection Gallery is supported by the John A. Sellon Family at the behest Jefferey Sellon, as a gallery to exhibit selections from the Museum’s permanent collection. Jeffrey named the room in honor of a woman who was renowned in Marin County and Bolinas as a social activist and remarkable character.
- The Wintersteen Courtyard is a gift from James and Beth Wintersteen, long-time supporters of the arts in America, who were instrumental during the development of the Bolinas Museum. The lovely courtyard is a welcoming place for locals and visitors to relax, and is used for many courtyard events.
- The courtyard contains many special gifts. The Japanese maple trees and their enclosure benches were gifts from Dr. Herman Schwartz and his artist wife Leah Schwartz, art collectors David and Mary Bromwell, and from Margaret Greene in memory of her son Rogers Greene. David and Mary Bromwell also gifted the museum with the stone fountain by Welton Rotz that has become a centerpiece for the courtyard. The handsome stone-sculptured bench is a gift from the sculptor Welton Rotz. Bay Area metal sculptor Carl Dern was commissioned to create the gate to the courtyard through a fund provided by Friends of Jeffery Ruesch as a memorial to a man who loved Bolinas. Carl Dern gave his sculpture “Chair” as a permanent installation.
- Gina’s Patio, between the main gallery and the Photography and Coastal Marin Artists galleries, is a gift from Mimi Griffin Jones in memory of her granddaughter Gina Marin Monaco. The Macdonald Family gave all the welcoming benches that invite visitors to sit awhile.
In front of the street-side double doors, handmade bricks display the names of generous donors who contributed to the capital campaign. Inside the Museum, a plaque honors major donors whose sizable donations led the way in purchasing the Museum's permanent home. The success of the capital campaign was aided by many
smaller donations as well.
During Dolores Richards' tenure as Director she enhanced the buildings by changing doorways, adding a floating wall and hardwood floor in the main gallery, an art storage room, a history-archive room, porches on exterior doors, the gateway, courtyard storage and an enclosing fence. Each change was crafted to blend into the original structure. When Dolores retired she left the museum with newly painted and ready for the next chapter.
When Lucy Van Sands Seeburg (Vandy) became Executive Director in 2006, she had hard wood floors installed in the rest of the galleries, initiated conservation-oriented changes to the Permanent Collection gallery and, with a memorial fund honoring Amy Jordan, Vandy redesigned and renovated the history room, creating a fresh, expanded exhibition space.
Maintaining buildings originally constructed more then one-hundred years ago is demanding, expensive and on-going. During the Museum’s 2011 Art Auction, auctioneer Mark Buell directed a reverse auction specifically to raise money for maintaining the buildings. Guests responded with enthusiasm, contributing to the continuing care for these lovely old structures. The historic complex of buildings is certainly the jewel in the Museum’s permanent collection, welcoming locals and visitors from all over the world.